They drew from electric and country blues, oldtime and bluegrass, jazz, rock and roll, soul, funk, Indian, New Orleans R&B, electronic and classical music; nothing was off-limits. Garcia’s gorgeous re-entry three minutes later came in … So I go back to Live Dead again and pluck this one, which has all the cornerstones I love—the crazy double-drumming, Pig at his most confident, band members chiming in on backups, and a crowd going appropriately nuts throughout. I can't possibily pick out the best … “That’s It for the Other One”May 2, 1970; Harpur College, Binghamton, New York. Sad to say, I never got to see them sing the “High green chilly winds” bridge into “The Eleven.”. “Victim or the Crime”March 21, 1990; Copps Coliseum, Hamilton, Ontario. Their styles couldn’t be more different, but they were completely sympathetic players, tightly enmeshed and equally in sync with bassist Lesh (another utterly unconventional player) and the drummers. “Saint Stephen”February 27, 1969; Fillmore West, San Francisco, This performance, which is the Live Dead version, is what hooked me on the Dead back in November 1969, and though there are many other killer versions, this one still resonates most strongly with me. Everyone, including band members, will tell you that studio albums never quite captured the Dead’s mystical X-factor. Impecable versión. 30 versions. “Help on the Way” > “Slipknot!” > “Franklin’s Tower”June 9, 1977; Winterland Ballroom, San Francisco. 37. Similarly there is general agreement on the Dead’s peak performance periods: 1968–1974, 1977, 1981–'82, 1988–'90; you’ll find a heavy concentration of Seventies performances here. As Pigpen’s raps on this tend to be fairly similar one to the next, with a few notable exceptions (such as Princeton 4-17-71 with the famous “Brooklyn Bridge” rap), I tend to judge them by what the band does behind him. Nearly every version is a blazing psychedelic swirl. 15. Available on Dick’s Picks Vol. ... hot songs . The Grateful Dead Live/Dead (1969) This Dark Star has been dulled by the poor preparation that the listener has to the space they will enter into on this one. List of the best Grateful Dead songs, ranked by fans like you. ’72-’74), this particular version has a perfect tempo, a top-notch lead vocal, Keith seemingly channeling country piano great Floyd Cramer throughout, a soulful stroll through the “Nothin’s gonna bring him back” coda, and then an extremely tasty melodic jam that’s as pretty as anything you’ll hear from this group. The nice thing about Bird Song is that it shined throughout its career - … “He’s Gone”May 26, 1973; Kezar Stadium, San Francisco. Discuss Grateful Dead lyrics and provide some for their most famous songs. “Dark Star”February 27, 1969; Fillmore West (San Francisco). Available on the 30 Trips Around the Sun box. This was the year that “Bird Song” really blossomed; from here on out it was a cherished jamming vehicle (usually) in GD first-sets; not as common as some, but always welcome when it flew in. “Wharf Rat”April 22, 1978; Nashville Municipal Auditorium, Tennessee. Fittingly, the album is closed by a version of "So Many Roads" taken from the Dead's final show at Chicago's Soldier Field on July 9, 1995. Why live performances? Scarlet Begonias -> Fire On … 2 No. The best Eighties versions of this Weir tune, also from 1975’s Blues for Allah, have a ragged majesty and intensity that is unmatched by earlier ones. “Here Comes Sunshine”November 30, 1973; Boston Music Hall, Boston, Massachusetts. 38. [Keyboardist] Bruce Hornsby loved playing (and teasing) “Dark Star” during his tenure, and this is my favorite with him—long, weird and noisy pre-“Drums” with lots of Garcia MIDI, a totally hypnotic “Drums,” and then a short, tasteful reprise (second verse). Call it jagged, gnarly, noisy or unpleasant, the fact is this dissonant late Eighties Weir song was a darkly powerful force to be reckoned with, and almost featured a harrowing jam, as its ascending lines crashed and clashed. I used to listen to David Gan's Grateful Dead Hour religiously, in the late 80s it being one of the only or most accessible sources of high quality live material. 3. Garcia’s gorgeous re-entry three minutes later came in … Created as a counterpart to their 2015 two-disc Best of the Grateful Dead studio collection, The Best of the Grateful Dead Live includes highlights culled from the band's commercially released concert albums on the Warner Bros. and Arista labels as well as a handful of live selections from their own personal archives. Wharf Rat was a regular part of Ryan's set for a while with the Cardinals, it's on a lot of the live shows that I have bootlegs of. Bird Song - Live in Veneta, Oregon 8/27/72 Grateful Dead • Veneta, OR 8/27/72: ... Looks Like Rain - Live In London 1972 Version Grateful Dead • Europe '72 [Live] [Expanded] 7:37 0:30. It contains songs that were recorded live in concert and previously released on other Grateful Dead albums. This song/jam was only around for about two years, but what a glorious run it had! It was released on March 23, 2018. Strong late Brent-era version with hot extended jam (including MIDI flights) between tunes and solid “Rider.” Available on View from the Vault III. Always a winner pre-hiatus (i.e. Dark, passionately sung, with a wonderful, if brief, slide guitar solo, and then a completely rip-roaring finale that keeps on building to a sustained climax before it lurches into “Sugar Magnolia.” Look for the soundboard recording on archive.org. 5. Warner Bros. Records released the Dead’s debut album, The Grateful Dead – a sonically brittle, high-speed version of the group’s stage act and songbook – on March 17th, 1967. Impecable versión. Though the single saw The Grateful Dead reach some wider audiences, Garcia was particularly let down by Warner Bros.’ cut of the single and called it “an atrocity”. It … Garcia at his best, ISN'T solo. Both are wonderful (as are most of these loping ’74s), filled with excellent interplay. Along the way they built the most loyal fan base the music world had ever seen. Here, the harmonies are fine, Garcia’s lead vocals are deep, and his playing outrageous and spectacular on the two concluding jams. “Terrapin Station”September 3, 1977; Raceway Park, Englishtown, New Jersey. As with “Shakedown,” its success hinged on the meshing of different rhythmic lines from everyone in the band, with Jerry’s clucking envelope-wah dancing above Bob’s slashing chords. This one hits all its marks beautifully, including a nice “landing” after the jam. It is incredible that they would play this song 232 times from 1967 to 1994 and each version would sound quite different from the one that preceded it. headyversion find the best versions of grateful dead songs please login or register. “Alligator” always led to a mesmerizing rare-for-the time double-drum duel between Mickey and Bill, and the jam after would usually build from a Jerry-plus-drummers noodle to a ferocious full-band boil before dropping eventually into the locomotive rhythm and big crescendos that lace together Pig’s visit to the mysterious Gypsy Woman in “Caution.”. “Scarlet Begonias” > “Fire on the Mountain”May 8, 1977; Barton Hall, Cornell University, Ithaca, New York. After a couple of years of “Scarlet” enlivening any set it appeared in, in March 1977 it was paired with the new “Fire on the Mountain” to become perhaps the most popular combo of songs in Dead history—it was played around 240 times. “Crazy Fingers”June 9, 1976; Boston Music Hall, Boston, Massachusetts. ), but consistently fine for more than 20 minutes. Many Grateful Dead songs develop with time, but perhaps the best and most consistent versions of this song were during the spring '73 tour in which the song debuted. 18. 7. My own preferences run toward the driving, high-energy Brent-era versions ’79–’90 (I loved what Brent’s B-3 and backup vocals added), but it’s hard to argue with the primacy of Cornell ’77, which has the unbeatable ending “Fire on the Mountain” jam (but the best-ever “Scarlet” is the amazing Giants Stadium 9-2-78 version). Scary & sublime 9/19/70 Fillmore East Best "Feelin' Groovy" Jam 11/8/70 Capitol Theatre Port Chester NY Into Main Ten>Dancin' The Deads finest hour 9/24/72 Goes into some sort of demented hoe-down & China/Rider 2/13/70 Fillmore East Another definitive version 11/11/73 Winterland Long, strange & definatley a trip 12/6/73 Cleveland Convention Center In tune with the cosmos “Not Fade Away” > “Goin’ Down the Road Feeling Bad”November 15, 1971; Austin Municipal Auditorium, Texas. Because that’s where the magic happened with this band. Fantasy” in between the “na-nas.” Truly electric; Jerry goes off! When Garcia's at his very best, he's frantically trying to keep up with Phil Lesh and being altered and adjusted by what Bob Weir is doing. This was a tough one. Major dissonance/weirdness ensues at around 30 minutes and hits some frightening (but cool!) “Weather Report Suite”/“Let It Grow”August 4, 1974; Philadelphia Civic Center, Philadelphia, Pennsylvania. “Good Lovin’ ”January 2, 1972; Winterland Ballroom, San Francisco. The jam in between the two songs is completely magical, quoting “China Cat,” dipping in to a “Dark Star”–ish space briefly, and flitting into all sorts of other interesting realms. And the fact is, this does go beyond 50: As you’ll see, for a number of tunes, there are second and third picks based on eras—songs such as “Dark Star,” “Playing in the Band,” “The Other One” and a few others changed radically from one period to the next (influenced by the change in keyboardists and other factors), so versions from each epoch get a nod. The first hints come during a tremendously strange and ominous “Space,” then a long build-up (guitars and talking drum! 29. Liberty. 24-23. Available on Dick’s Picks Vol. And don’t miss the primal, acid-drenched version from the Carousel Ballroom 2-14-68, and for a “Caution” alone, Fillmore Auditorium 11-8-69. Are you picking up a trend here? They brought it all together in a unique mélange that took them from the fire-breathing psychedelia of the late Sixties, to the Dead Americana of Workingman’s Dead and American Beauty, and far beyond. “Hard to Handle”August 6, 1971; Hollywood Palladium, California. Please refresh the page and try again. “Dancing in the Street”May 2, 1970; Harpur College, Binghamton, New York. Nineties pick: Shoreline Amphitheatre, Mountain View, California; 6-16-90. Pretty faithful to the Dead version, in my opinion. Available on Dick’s Picks Vol. What follows is a selection of the best live versions of 50 songs by the Grateful Dead (and a few cover tunes) spanning their history. Instead, the boys drift into an unconnected spacey jam, then “Drums,” “Space,” a fantastic “Playing in the Band” reprise, and then back to the “Uncle John’s” vocal reprise; stunning! “Black Peter”October 29, 1977; Evans Field House, Northern Illinois University, DeKalb, Illinois. “Scarlet” alone pick: Fresno 7-19-74. 10. So why not have “Sugar Magnolia” here? From the Eighties, it’s hard to top Augusta, Maine 10-12-84. Many Grateful Dead songs develop with time, but perhaps the best and most consistent versions of this song were during the spring '73 tour in which the song debuted. 5. ); and “Saint of Circumstance” is a riff-heavy and ultimately anthemic rocker, which also has some unpredictable components. Again, we lean early: ’72–’74, when Keith was in the band, Phil was at his most prominent musically, and the jams following the song typically opened up the widest and wildest. 45. “Dear Mr. Fantasy”July 2, 1989; Sullivan Stadium, Foxboro, Massachusetts. Headyversion has 10/21/78 as the best version of “Stella Blue”. Played for the first time in two-and-a-half years, this is more in the vein of ’69 versions (even dropping in a couple of actual riffs from that era) and surprisingly self-assured—more to my taste than the best late-Eighties or early-Nineties versions, which relied so heavily on MIDI textures. Written by: Grateful Dead and Robert Hunter The band’s definitive psychedelic jam epic, with wondrous versions in nearly every era it appeared. If spacey/strange is more your thing, look no further than this Seventies pick: Egypt 9-16-78 (no third verse or vocal coda, but jamming galore). 5. Nineties pick: Nassau Coliseum 3-27-90; gotta give some love to the magnificent first show where saxophonist Branford Marsalis sat in with the Dead, and fit in perfectly! Grateful Dead are synonymous with the psychedelic subculture of the '60s and '70s, and are known for their epic-length live performances. This very spacey extended version is unlike any other they ever played. 6. Eighties pick: Greek Theatre 5-13-83; Seventies tempo, lots of jamming, nice work by Brent; look for the soundboard version on archive.org. This rightly revered version is, alas, cut near the end on the soundboard recording, but when it was officially released on Road Trips Vol. But here’s the cool news: There’s a fantastic web site called headyversion.com that is the ultimate resource for listening to the “best” versions of Grateful Dead songs. The ongoing success of the many Phil Lesh & Friends lineups and, more recently, Dead and Company, featuring newish Dead convert John Mayer (playing with Bob Weir and Grateful Dead drummers Bill Kreutzmann and Mickey Hart), show that the Dead’s legacy is very much intact and that the music is continuing to evolve. After about 11 minutes of floaty, drifty goodness leading up to the first verse, the jam gradually accelerates and starts to go more “out,” as Phil signals a shift to a mid-tempo cruising altitude, then does it again a few minutes later for a long spacey stretch. 2. 14-13. Garcia at his best, ISN'T solo. 46. Even though this is another tune that was great in every period, only versions from ’73 and ’74 included the amazing, still-unnamed jam that would materialize after a few minutes after the final verse (and following Phil’s dependably monstrous bass solo), in which the group bopped through an intricate series of key and tempo changes, jazzy intricate unison lines that were miles away from the song, and then soared on the “Eyes” groove for several minutes. “New Speedway Boogie”May 14, 1970; Meramec Community College, Kirkwood, Missouri, The Dead played this only in late 1969–70, and then again from ’91 (at the outset of the first Gulf War) until ’95. The interplay between Garcia (again with the envelope-wah) and Weir (who artfully employs a phase-pedal wah and octave divider in the middle of the jam) is deliciously rhythmic, and Brent adds much with his keyboards as well. 3 No. If you’re looking for a song to play for non-Deadheads, go with this one. Headyversion has 10/21/78 as the best version of “Stella Blue”. 2. ), a full-band jam around the main riff, and more than 13 minutes in, Phil leaps forward with the classic entrance. Nineties pick: RFK Stadium 6-14-91 (with Bruce Hornsby and MIDI Jerry) “Franklin’s Tower” alone: Cape Cod 10-27-79. “Bird Song”August 27, 1972; Old Renaissance Faire Grounds, Veneta, Oregon. 31. Year after year one of the most dependable tunes in the Dead’s second sets, Weir’s moody reggae number, with Garcia employing a wah-ish envelope filter, was played at most shows in ’77-’78 and was common for the rest of their history. At this show it comes out of 30-minute “Dark Star,” so it feels like it has a little extra juice and sparkle to it. Available on Dick’s Picks Vol. Available onRoad Trips Vol. Two years removed from the Grateful Dead’s 50th anniversary celebration and the triumphant “Fare Thee Well” stadium concerts in their native San Francisco Bay Area and in Chicago, the surprising, resurgent Deadmania has not subsided. BA1 1UA. “Eyes of the World”August 6, 1974; Roosevelt Stadium, Jersey City, NJ. Available on Anthem of the Sun expanded edition. 5. 41. Nineties pick: Cal Expo 5-26-93—one of the band’s last truly great jams; the “reprise” comes later in the set. Grateful Dead - Touch of Grey Below you'll find a user-submitted list of the best Grateful Dead Touch of Grey. So far, so normal, but after around 15 minutes, the band backed off to create an on-the-spot opportunity for Lesh to deliver one of the most gloriously unkempt bass solos in the history of rock ‘n’ roll. 11. For me, and YMMV, 8/27/72 is the greatest version of Bird Song, along with being some of the best 10 minutes or so of GD history. For the main picks, we’ve listed where they can be found on Grateful Dead–sanctioned releases (where applicable), most of which can be accessed through Apple Music and Spotify. headyversion find the best versions of grateful dead songs please login or register. The difficulty, of course, is narrowing it down to just 50. Sitting on Top of the World. Available on Dick’s Picks Vol. At this show, it closes an incredible second set, with Garcia and company reducing the place to rubble with the ending buildup—the mark of a truly great “Dew.” A pre-hiatus version to check out is Winterland (San Francisco) 10-18-74. Written by: Grateful Dead and Robert Hunter The band’s definitive psychedelic jam epic, with wondrous versions in nearly every era it appeared. Created as a counterpart to their 2015 two-disc Best of the Grateful Dead studio collection, … As was so often the case, the centerpiece of this show was the big jam in the second set, which kicked off with a beautiful “Dark Star”. This is one of the most famous Grateful Dead shows that has yet to receive an official release, but it’s surely only a matter of time. This one comes out of a fantastic “Estimated Prophet” and quickly rolls up to cruising speed and becomes very powerful; and the post-song jam is a thing of beauty, with Weir on tasteful background slide for some of it, before it eases into “Drums” (featuring Brazilian jazzers Flora Purim and Airto). Scarlet Begonias -> Fire On The Mountain. “Mississippi Half-Step Uptown Toodleoo”September 3, 1977; Raceway Park, Englishtown, New Jersey. Garcia ’ s mystical X-factor, Phil leaps forward with the psychedelic of. After the jam audience-made recording was added, and listen to Grateful Dead.... 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