“It should not be too much to ask for for representations of people of color whose cultural backgrounds are acknowledged and woven into their character in ways that are honest and validating.”. But screw all that; here was another woman who enjoyed gaming enough to analyse it, and demand better from it. So I’ll take a cue from my younger self and say I don’t care about being a “gamer,” but I sure do love video games. The Among Us Phenomenon – Why Is It So Popular? Nine playable classes, none of them women. She made me re-evaluate things I’d just accepted as part of being a gamer; she challenged me to not just accept the status quo in this medium I so adore. A Festive Formula: What Makes The Perfect Christmas Movie? Anita Sarkeesian became the target of a misogynist backlash after advocating for more diversity in video games. So even though I was playing a lot of games—these kinds of games—I still refused to call myself a gamer, which I don’t think is uncommon.”, She would later emphasize the idea that “you can love something and be critical of it.” That, she said, “is so important to what I do and is really important to engaging with any kind of pop culture.”. Sarkeesian recommended that designers of fantasy and sci-fi games put female characters in similar armor and uniforms as their male counterparts and praised Dark Souls, Natural Selection 2 and XCOM for having more practical outfits. From what I've seen of it, The Puppeteer is a delightful upcoming PlayStation 3 game starring a boy. Record female character voiceover so that pain sounds painful, not orgasmic, Include female enemies, but don't sexualize those enemies. Her dad was a networking engineer, and she spent the majority of her free time as a kid rocking a Game Boy. At the same time I was trying to find my place within the video game community, a woman speaking up about games’ misogynistic tendencies was being threatened with violence near-constantly. The Hotline is a brand new, free, confidential, emotional support resource for people who make and play games. There are seven main heroes. Don't over-emphasize female characters' rear ends, not any more than you would the average male character's. When the female character sits, she lays on the side of her legs. “It actually isn’t equal.” Her view of how women are seen in much of society and culture is fundamental to her arguments: “Women are thought of and represented as sexual objects to be used by and for the sexual pleasure of others in society, and men are not viewed that way. The list was a surprise—not really for its content but for its explicit charge for change. She recounted her efforts to get her parents to buy her a Game Boy. Her work has also had an impact on video games, where more creators are … Test-Tube-Treat: The Future Of Lab-Grown Meat, Seasonal Specials: An Italian-English Christmas. In 2012, she was introduced to a larger audience after launching a Kickstarter campaign to fund a new web series exploring the negative tropes surrounding women in video games. That’s how she set up her first request to game developers: “Avoid the Smurfette principle,” a reference to both having just one female character in an ensemble cast and the character limitations that can spring from that. I learnt hope and determination from Tropes vs Video Games, for sure, but I also learnt that the problem with games wasn’t me. “There are small things that come up that, you’re like, ‘That’s awesome.’ And then five other things that come up that’s like, ‘Are we still doing this?’” Throughout her description of the eight changes she’d like to see, she repeatedly mentioned games that she thought were handling things badly, but she also routinely highlighted games that she thought were doing things well. The first TvW video has 47 thousand dislikes to 15 thousand likes. By contrast, she praised the presentation of the female character in the new third-person game Life Is Strange. It’s a tricky argument, right? Media can inspire greatness and challenge the status quo or sadly, more often, it can demoralize and reinforce systems of power and privilege and oppression.”, And, second, it seemed to me she was being careful to clarify whether she loves games. When Anita Sarkeesian launched a YouTube series on misogyny in video games, she received death threats and was forced into hiding. Get Crafty With Your Old Editions Of Impact! I had attended Sarkeesian’s NYU talk because I wanted to hear her outside of the pre-recorded Tropes Vs. Women In Video Games that she’s been making for the last couple of years. Near the start of her talk, she apologized for being sick and said it was the first time she’d been ill in two years. Featured image courtesy of Liks Digital on Unsplash. Turning The Tide On Climate Change: Carbon Taxes And Ecocide…, New Study Aids Scientists In Protecting Bowhead Whales, The Future Of The Environment With The Arrival Of Biden…, Review Of Vogue Article “How Fashion Is Distancing Itself From…, The PrettyLittleThing Mask-Dress: A Review, Top 10 Tik Tok Trends – Style Staples Originating from…. I’d met her in person briefly last spring, before she won an Ambassador Award at the Game Developers Conference for her work critiquing video games. How do we truly determine the impact of the characters we see or control on how we relate to those characters or view the world? Book to Film Adaptations – Is This The Same Character? Among Us With AOC: Politics and Games Done Right. Picture this: It’s 2014; I’m fifteen years old. 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(Update - 2:26pm: As a reader pointed out, a second is playable in the game’s DLC.) Interview With Maddie Craig From ‘Familiar Strangers’ @NNT, Ancient Theatre Through Modern Eyes – Looking At Medea, Circe…. "How long is your game?" Can you guess what color the woman is?”, Several people in the audience shouted the predictable answer: “Pink!”. The series’ thumbnails made no attempt to hide that they were presented by a woman- Anita Sarkeesian’s face was prominent and proud. The metal detectors, and the overall heightened security presence at Sarkeesian’s talk, were impossible not to notice. Anita Sarkeesian ends web series that rocked the world of gaming Anita Sarkeesian breaks down the way video games portray women as "exotic" fantasies. That might explain why her criticisms of gaming occupy a different spot than other people’s criticisms about, say, free-to-play game design, game length, or downloadable content. At her talk, she showed a photo of herself as a kid, playing the Super Nintendo with a childhood friend. In the middle of this tension, Anita Sarkeesian introduced a Kickstarter campaign for her Youtube series, Tropes vs. Women in Video Games, that points out … Talk of gameplay brought Sarkeesian to her final point. Welfare In Sport: Campaigning For Mental Health In UoN Sport, Sports Society Spotlight: UoN Thai Boxing, It’s always fight week- MMA Saturday 7th Dec 2019, Interview With The ACS For Black History Month, Nottingham Forest 1-2 Bristol City: Lamouchi On The Brink Of Exit, The Shuffle Generation: How The Rise Of Streaming Platforms Has Influenced The Creation Of Music. I’d seen most of her Tropes gaming videos, of course, and, frankly, not had much issue with them. She spelled out what she wants to see done, what she thinks game developers should think about doing differently. Why not sometimes let a character of any type be helpless or play up their gender?—and yet it also seemed to be the one where she was trying hardest to find ways through it and where she felt like there were the worst potential negative impacts. Sarkeesian, a Canadian-American feminist and media critic, won the award for creating a series of videos titled Tropes vs. Women in Video Games, which … She fielded one audience question from a guy who said a female Gamergate supporter had been at the talk, had shaken her head at much of what Sarkeesian had said, had left early and, this questioner wanted to know, what Sarkeesian would say to this woman. They are all color-coded. The added protection, I was told, was “the result of NYU Public Safety’s extensive security audit of the situation,” though NYU did not specify, despite my asking, if they were there in response to any specific threats. One: avoid violence in which women are framed as weak or helpless. Anita Sarkeesian’s age is 37. Minutes after I walked through a metal detector—and some time before she was flocked by well-wishers at the best-attended gaming lecture I’ve ever been to at New York University—I recently listened to the media critic Anita Sarkeesian describe eight things she’d like to see changed in video games. It made me determined to not let angry men take away what I loved, to not let fear ruin my enjoyment of the medium. No changes made to this image. That’s not really her point. of episodes14 Production ProducerJonathan McIntosh Release Original networkFeministFrequency YouTube Original releaseTropes vs Women in Video Games March 7, 2013 – April 27, 2017 External links Official website Production website Tropes v… Anita Sarkeesian saved me from abandoning the medium I now want to base my career on, Google Anita and the first video results are people trying desperately to disparage her. Anita Sarkeesian released a new video in her Tropes vs Women in Video Games series on August 31, this time taking on the “women as reward” trope. For more content including uni news, reviews, entertainment, lifestyle, features and so much more,  follow us on Twitter and Instagram or like our Facebook page for more articles and information on how to get involved! I truly recommend you watch her series, and decide if it even slightly deserves the rage it whipped up. Going through her list, she called for game developers of third-person games to “de-emphasize the rear end of female characters,” which she said after contrasting how Catwoman’s butt sways in the third-person Batman game Arkham City with how male characters like God of War’s Kratos have their butts covered by loincloths or trenchcoats. She’s blamed for ‘ruining’ every game release with a hint of a decent female characterisation since 2012. In order to really participate, though, there’s a bit of required viewing. In a vacuum, this might seem strange, but the idea that Sarkeesian doesn’t care much about games has been part of the narrative against her. Occasionally, as she went through these suggestions, Sarkeesian would mention counter-arguments. Developers, publishers and gamers could hear and decide for themselves what’s best to do. Sarkeesian is a blogger and critic who founded the Web site Feminist Frequency, where she discusses sexist and misogynistic tropes in video games and critiques gamer culture. Four main playable protagonists, one of them female. I want to add a drop of positivity to this discussion, no matter how small. “The other four are similar, long legged, slender, mostly sexualized armor, high heels, lack of pants.” She contrasted that to the men. Anita Sarkeesian talks about exposing gaming’s most toxic trends with sheer data "A conversation happened in games that was previously only happening in the shadows." She has received particular attention for her video series Tropes vs. Women in Video Games, which examines tropes in the depiction of female video game characters. So it’s easy to see how two people might sit through the same Sarkeesian presentation and think “This completely matters” and “This doesn’t matter at all.”. “Motion capture and animations for female characters often have them looking like they’re walking down a runway at a fashion show,” she said. “The blue one looks cool,” she said of the women. When we critique violence against women, we’re often talking about violence in which women are being attacked or victimized specifically because they are women, which then reinforces or perpetuates a perception that women as victims and men as noble, brooding heroes... “Two, avoid violence against female characters in which there is a sexualized element.”, She praised BioShock Infinite’s presentation of a Columbia police force whose male and female cops wear similar uniforms. That used to be the question a video game. Throughout her NYU talk I was struck by both her negativity and her positivity. I actually had to learn a lot about video games in the process of making this.” (Correction - 8/13/16: The clip was from 2010, not 2011. I heard a few attendees mutter about this being necessary or finding it absurd that a talk about women in gaming, of all things, required this kind of presence. They are coming here to be, like, ‘oh my god, that woman, that horrible evil woman that’s ruining video games.’”, She said she’d written Gamergate off, that there was no convincing them. As easy as she had suggested some of the changes in gaming could be, so much of this is likely to be controversial—and not just because someone might be sexist. There’s a pre-Tropes vs. Women in Video Games clip, after all, of her introducing a video about gaming by telling a college class in 2010 that “I’m not a fan of video games. Image use licence here. My dissertation this year is about video games. We’re so excited to announce that the Games and Online Harassment Hotline is officially launching on August 3, 2020. To contact the author of this post, write to stephentotilo@kotaku.com or find him on Twitter @stephentotilo. She talked about getting nostalgic while in college and buying a Super Nintendo to play Super Mario World. YouTube is where I found my middle ground. Sarkeesian talked about how a more expansive range of female characters can open games up to new stories and experiences, but she doesn’t flat-out say that it’d make an okay game more fun. Sarkeesian’s list of eight things included several straightforward requests. Remember, at this point I thought women simply couldn’t exist in video game communities, but here she was to prove me wrong. She showed a slide of Left 4 Dead 2. In her intro video she’s worried about her makeup. Giving players more playable female characters is the first step toward female characters, like their male counterparts, being defined more by who they are rather than simply by their gender.”, What Sarkeesian was talking about sounded like a quota, because, well, it is. An NYU security guard stood in front of the audience, watchful, as she spoke. Burnham Knows Best: Should The Government Pass The Baton To…, ‘StudyTube’ Productivity Obsession Threatens To Create ‘Jaded’ Students, 8 Tips On How To Give Your Room Some Extra…, Sustainable Shopping: Alternatives To Single-Use Products, Why It’s Okay If You Don’t Make Friends For Life…, APPG Endometriosis Inquiry Should Be A Wakeup Call For The…, My Education In A Holistic Steiner School And How It…, Weekly Wellbeing Write-up: Student Mental Health In The Second Lockdown, Forgotten Feminists – Female Black British Panthers, Seasonal Specials: Christmas Pavlova Wreath Recipe. Those are the ones that supporters and critics of her views on women in games are likely to debate for a long time to come. Feminist Frequency is raising funds for Tropes vs. Women in Video Games on Kickstarter! Tropes vs. Women in Video Games Title card used in the videos GenreVideo game culture Directed byAnita Sarkeesian Presented byAnita Sarkeesian Theme music composerMatt Joynt, Nathan Sandberg Country of originUSA Original languageEnglish No. Inquiries. “Equal opportunity sexual objectification is not the answer here,” she said. “Simply putting women in the line of fire is not in and of itself a problem,” she said. Of all of Sarkeesian’s requests, I could see this being viewed as the most well-intentioned but creatively stifling one—Why not sometimes have a sexy female enemy? Anita Sarkeesian saved me from abandoning the medium I now want to base my career on. First, she seemed to be challenging claims that she thinks games make people do things. She complimented the latest Borderlands for upping the number of playable women heroes in each of the original base games from one to two (more if you count the DLC). It seemed like a subset to another argument about female character animation. News by Chris Bratt, Contributor They both infer a lot from her analysis of games, but at her NYU talk she left no ambiguity. The Curtain Call (Season 2) – ‘Hello World’, The Curtain Call (Season 1) – ‘I Think He Was…, ‘What Could Be Worse Than Jumping’ @ NNT Autumn Online…, Revisiting the Classics – Film Review: The Conformist, Film Review: Anthropocene: The Human Epoch – Climate Crisis Film…, Film Review: How To Start a Revolution – Climate Crisis…, Gaming Review: Call of Duty: Black Ops Cold War Multiplayer…, Gaming Review: Super Smash Bros. Arguments about the depiction of women, however, will find a sympathetic ear among those who, like Sarkeesian, believe that less sexualized and more diverse presentations of women will make games more approachable—more fun—for more people. Playing: Watch Dogs Legion (need to get back to RDR2, Iconoclasts, Arkham Origins, Sushi Striker, Samus Returns, and Ghost Recon Breakpoint). During an unscripted Q&A, she said that modern gaming’s depiction of women was really bad. As Sarkeesian discusses how sticking mascara and earrings on a blob doesn’t make it a nuanced female character, remember that this content made some people so mad she was forced to cancel a talk at Utah State University in 2014 due to terrorist threats. Of course, I didn’t realise that the community had rejected her. Anita Sarkeesian is a pundit, videoblogger and media critic best known as the host of Feminist Frequency, a web series in which Sarkeesian reviews and analyses common tropes in popular culture from a feminist viewpoint. There’s no long-standing oppressive construct of men being seen as sexual objects and reduced to that in real life.”. She said that she knew that some people didn’t consider those “real” games but that she counted them as some of her favorites. Is ‘I’m A Celeb’ Bad For The Environment? Would it be bad to have more playable female characters? A variation, when talking about how male and female characters animate very differently in some of the big-budget games she’s been playing: “The solution is obvious: just animate your women moving and sitting the way real women might move.”, Avoid the Smurfette principle (don't have just one female character in an ensemble cast, let alone one whose personality is more or less "girl" or "woman. I didn’t have to risk the online bit – the scary part where people could discover I’m a girl any minute and start calling me slut and whore when I messed up or did well- instead, I can just watch other people play! Apologies for the error.). It can be argued the event primarily targets a hardcore audience, but there's no escaping the way it represents video games on a global scale. Why must she be perfect to simply criticise video games? I’d previously reported about a bomb threat against Sarkeesian’s GDC acceptance speech nearly a year prior. Lots of people got mad about that, and Quinn’s ex-boyfriend made an awful blog post about how they’d slept with a journalist for a positive review. “It’s very much like one step forward, two steps back,” she said. Her videos openly criticised the medium’s blatantly misogynistic tropes: The damsel in distress, female characters presented as rewards to the player, the sexualisation and objectification of women throughout most mature games… Honestly, these were problems I found in most of my media, so I wasn’t shocked by the series’ content. As Sarkeesian pointed to fan-art that imagined Team Fortress 2's cast as being all women I thought about her position as an advocate. Video games are more important than ever before, and so is cultural criticism of them. I don’t think there’s an easy answer, and it doesn’t seem to me like there’s a rule that would work across the board. A lot of negativity has been published about Anita Sarkeesian’s video essay series Tropes vs Women in Video Games (TvW); there was negativity at the time, and there’s still negativity now. They won’t move people who might linger on the likely fact that changing how characters sit in Destiny or walk in Arkham City probably won’t make those games play any better. “It’s as if the person directing the mo-cap session told the model to walk in the most seductive or sexy way possible rather than just asking her to walk the way a soldier or intergalactic bounty hunter or any ordinary woman going about her business might walk.”, Even sitting could be a gender issue, she showed. “I’m happy if she cared at all and wanted to come,” Sarkeesian said, “but I seriously doubt people from Gamergate’s intentions of coming to an event where I am speaking...I think if anyone in this audience is here for Gamergate they are not here because they genuinely care and want to learn. We’d e-mailed several times when I was reporting stories. I immediately wanted to hear what she had to say, astonished at her bravery. After playing what she said was an audio clip of a female League of Legends champion in combat (above) she called for less sexualized female-character voice-acting/grunting—”start with trying to make pain actually sound painful instead of orgasmic”. To be specific, she was describing “eight things developers can do to make games less shitty for women.”. In this video series, Feminist Frequency will explore five common and recurring stereotypes of female characters in video games Her list was brand new. This is not a new topic. What did shock me was seeing a woman unapologetically criticise video games with authority like she’d never doubted her place in the community. 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Anita Sarkeesian is the creator of the award-winning Tropes vs Women in Video Games, a critically acclaimed video series exploring the history of women’s representation in gaming that has garnered nearly 14 million views on YouTube alone. I also learnt that the problem with games wasn’t me. Even more surprising? This was a friendly and game-savvy crowd. ), Have female characters of various body types. In fact, it was a recommendation from a Nerdcubed video that led me to my first TvW video. Wonder-Pink wears pink. “Just give players more diverse options. The abuse directed at Quinn exploded, and any female voice that spoke up against it became targets of an organised harassment campaign that had less to do with ethics in journalism than misogyny and hatred. Gamers are obviously debating this. Blogger, YouTuber, and media critic best known as the mind behind the Feminist Frequency blog and YouTube channel. 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